Hal Galper’s demonstration of results
In a world craving instant gratification and immediate results, players learning the craft of jazz live a somewhat frustrated existence. Results are slow to come. Spoiler alert: improvisation is hard. I watched a video today that I hadn’t seen in a while, and it reminded me that in the hands of a good teacher, instant…
Read MoreThe key to satisfying jazz improvisation may not be learning all the scales.
A trombone player who bought Trombone Improvisation Savvy a while back wrote that as an orchestral player proficient at reading music, he feels overwhelmed when looking at chord changes. He wrote that the book isn’t giving him what he needs in terms of chord scales to practice until they become part of muscle memory. He…
Read MoreHow to most effectively practice your musical instrument
I received an email from a subscriber asking an excellent question. He asks how he can optimize his time in the three hours per day he dedicates to practicing. Is it better to have fewer things to work on and spend more time on those, or to practice on more things and extend the total…
Read MoreHow to prepare for sitting in on a jam session
One of the most important activities a jazz musician can take part in is a jam session. Spontaneity is the essence of jazz and if you’re not in a band that plays regularly, you probably don’t play live often enough with other musicians. Play live with and in front of people is what strengthens your…
Read MoreThe five minute daily habit to make you a much better improviser
Writing yesterday’s post, I had no intention of writing a post script. But as I thought more about the section in which I suggested a 15 minute daily routine to build your jazz improvisation, I wanted to suggest an even easier routine. In the previous post, I laid out a 15 minute daily routine that…
Read MoreMaster this discipline and be a much better improviser
A flautist (aka flute player) I’ve been working with wrote me recently that she is excited to notice that her “ear to instrument reaction time” is improving. She is habitually working on a few exercises such as the Brahms Lullaby in 12 keys and Jazz Patterns for Ear and seeing some delightful results. This article…
Read MoreAn electronic orchestration of The First Noel
Knowing Christmas was coming, the time when I annually reach inward to give birth to a new rendition of a holiday tune, I first bought a couple of interesting synths for inspiration. One was Straylight by Native Instruments, a sample-based granular synthesizer. I’m a sucker for the X-Y modulation matrix. The other is Trailer expressions…
Read MoreHow to develop your unique musical personality and style through right brain connection with your instrument
Think about playing using your right (creative) brain. It’s the part of your brain that, if connected well to your instrument, allows for the most authentic improvisation. You hear a note, you’re better able to play that note. Your instrument becomes the amplifier of your musical “voice”. But there’s another aspect to improvisation that benefits…
Read MoreHow to improvise more melodically – part 2 of 2
30 percent of your brain’s cerebral cortex is dedicated to visual processing. A paultry three percent is dedicated to hearing. That says a lot. One, it explains why it’s harder to retain the content of an audio book than reading a physical book. It explains why people often say, “I’m a visual learner” (of course…
Read MoreHow to improvise more melodically – part 1 of 2
The title of this post reflects the majority of responses I received recently when I asked the question of 1,500 musicians: What are you struggling to accomplish with your jazz playing Some people put it in terms of playing solos that were more inventive or riveting, or creative. One respondent wrote, “Combining ideas into melodies…
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